Thursday, May 28, 2009

nothing but what is therein contained...

i spent this past week in philadelphia, to install several works in thomas u. walter's 1835 building for girard college. all of the works were installed on the top floor which has not been open to the public for 100 years. i've posted several times about this project which i've been working on for almost two years, so here some images of the first of three works which will be present in the space (the other two include a letterpress text work, and a sound, sculpture, and drawing installation).

this piece is titled "nothing but what is therein contained", which is a bit of text from stephen girard's will, in which he stipulated that the design of the building could only contain the things that he had specifically mentioned in his will... nothing extraneous would be allowed. the first design drawings that thomas walter made for this building were incredibly minimal and titled with this phrase.

for my own work, i took the phrase and translated it into numbers based on the alphabetical sequence of the letters, and then cut pieces of wood accordingly.

nothingbutwhat2

these pieces (running from a 1 foot length for an "a" to an 8 foot plus a 12 foot for a "t") were then painted in groups, a different color for each letter.

nothingbutwhat3i then laid out all of the letters as a kind of stockpile, and then laid out the entire phrase.

nothingbutwhat4

i then began to build the structure, beginning with the first letter - "n" - and drilling and wiring the consecutive parts improvisationally, essentially using the letter sequence as a score towards determining what piece of wood would come next. it took two days to build, and it is roughly 16 feet tall. you can see the beautiful dome shaped skylights in some of the images, as well as the doorways from one space to the other. the last shot was taken looking down from one of the skylight windows.

nothingbutwhat6

nothingbutwhat5

nothingbuthwhatis8

nothingbutwhatis9

nothingbuthwhatis11

some of the color patterns and painting was inspired by the sketchbook of amish deaf mute craftsman henry lapp, who lived outside of pennsylvania just around the time the building was finished, and the sound was composed using the sound of wine glasses being rubbed and struck with mallets in relation to benjamin franklin's glass armonica. the piece is essentially an architectural map or likeness of the text...

i will be out of town this coming week and airforms will most likely be silent for the next 7-10 days.

Labels: , , , ,

8 Comments:

Blogger rosso said...

Interesante trabajo secuencial
sobre este fantastico espacio
arquitectonico.
Me gusta muchísimo la relación
que has establecido entre la
instalación y los conceptos
espaciales del lugar.
Enhorabuena.
Saludos.

4:58 AM  
Blogger andrew said...

lovely

12:03 PM  
Anonymous Anonymous said...

I think this is one of your most beautiful yet.

8:46 PM  
Blogger ArtSparker said...

It reminds me of childhood play.

8:55 AM  
Blogger Jeremy said...

it is great to see the work in progress in the space, plus the final in some of its glory (it would be even better to see it and hear the sounds as well. The space is amazing - both architecturally and the colours and patina of it - and your construction looks even more exciting because of that context. fabulous.

4:09 PM  
Blogger sroden said...

thanks all for the kind words...!

4:29 PM  
Blogger geoff tuck said...

one more: wow. from david, too.

10:27 PM  
Blogger Joey said...

Unbelievably beautiful Steve!

3:34 PM  

Post a Comment

Links to this post:

Create a Link

<< Home