working memos as fragments of gold...
"be sure of having used to the full all is communicated by immobility and silence."
"your film - let people feel the soul and the heart there, but let it be made like a work of hands"
"no intellectual or cerebral mechanism. simply a mechanism."
"not to use two violins when one is enough"
"images like modulations in music"
"practice the precept: find without seeking"
"to translate the invisible wind by the water it sculpts in passing."
"make visible what, without you, might never have been seen"
" how to hide from oneself the fact that it all ends up on a rectangle of white fabric hung on a wall? (see your film as a surface to cover)"
ten from robert bresson's notes on the cinematographer